The second work of “The A.I.D.S. Trilogy,” a set of three short films commenting on the context in which it emerged, the HIV crisis in America. Crossing segments of Jean Genet's film “Un Chant d’Amour” with explicit pornographic images, Tartaglia explores the dynamics of the observed and the observer, to create an almost-manifesto that embodies what was concealed, condemned, and suppressed by the hysteria of the stigma.