“Fresh Frames for Rotting Generations” started with the appropriation of images from television, films, [VID] Videoclips and music to sketch a radical narrative about the alienation effect of TV in the previous generation to the democratization of the Internet. The erosion of the analogical [VID] Video signal and the consuming of the common imagery, are the raw material for this deconstruction of fragmentary references that sketch a possible global language of free appropriation of the media lexicon.