Departing from an inimitable film repertoire of tour-de-force editing technique, visual comedy, and apocalyptic themes, avant-garde master Bruce Conner envisioned “Easter Morning”—a metaphysical quest for renewal beyond the natural and ephemeral worlds—to be his last finished masterpiece. Keeping with his ritualistic reworking and re-imagining of his films, the image source originates from the 8mm Kodachrome footage of “Easter Morning Raga” (1966), expanded in duration, gauge, and frame rate to devise an effect of visual transcendence. “Easter Morning” celebrates Conner’s reverence for experiential cinema, aleatoric sound, and discoveries within the realm of the spirit. Michelle Silva