Three teenage girls are heading home in their Mini Cooper S. They discuss their boyfriends, their boyfriend's mothers, their boyfriend's mother's cars, and Judaism. After making pizza they go swim in the pool. This film is part of the sub-genre of horror films where a vehicle is the protagonist, in this case a Mini Cooper S. Pedro Gomes developed an aggressive soundscape, working at the intersection of distorted post-rock guitar with horror film soundtrack tropes. It alternates in between a diagetic (music inside the car) and non-diagetic (music outside the car) register, which proposes it as something the girls consume, as well as something that consumes them, as it distinguishes and allocates them to a specific genre, and class.