Appropriating a brief fragment from a 35mm print of an old Kung Fu movie, ""Never a Foot Too Far, Even"" is an action movie without action. Presented in double-projection with two 16mm film projectors and loopers, with images from two separate reels overlaid to form a single image, the film focuses on an obscure figure finding himself in a forest path, caught between perpetual motion and stasis. The painterly images fluctuate in the complex shifting of colour and texture, phasing in and out through a polymetric structure. It is a perceptual journey without destination in the turning sphere of ever-changing image and sound, whose beginning and end move in parallel towards a fleeting point of convergence. The two-track sound loop is an original structured improvisation by composer/violinist Malcolm Goldstein.