Suddenly, the screen splits, or rather it multiplies into four rectangles that will divide our attention but expanding its interpretation possibilities. This is a visual essa, from the idea of an imaginary captivity of the French actress Delphine Seyrig in the works that are alluded to, in which she walks between scenes, by other actors, always with actions that are repeated from one film to another. Rather than attempting to show its own thesis, the film relies on the evocative power of cinema to drive our imagination, to write a new story. (JA)