Where do we start, where do we end? “DDDM” leads us into a dramaturgy of interior and exterior worlds. We find ourselves in the presence of an immediate immensity. The work enables the motion of the motionless subject. Its aim is to establish a state of maximum intensity through the intentional overburdening of technical as well as human capacities. There is access to the complete connection to the present in the inversion of the now. Time becomes flat, space comes to a standstill.