By way of superimposition, “Teorema” video series combines excerpts from Pier Paolo Pasolini’s film “Theorem” and fragments from mainly religious paint- ings by Caravaggio and others. All the exhibit is like an encounter—between the modern and contemporary eras, during which art history went through profound changes; between two media at a time that could be considered a golden age; between two Italian artists known for their success and for their scandalous lives and whose works were received with both admiration and indignation; between two aesthetics that could be defined as naturalistic and both of which have dealt with sacred and profane subjects; and, on a more metaphorical level, between art works and the public at every station of this exhibit.